Informed sources, including the Stratfor Consulting Group

Informed sources, including the Stratfor Consulting Group, believe that the action was taken to undermine the popularity of President Ahmadinejad among the Iranian public. Many elements in the Iranian government, including the military, Ayatollah Khameni, the parliament, and other power centers believe that he has gone too far with his rhetoric and actions toward the U.S. and the West.

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In essence, this action is the result of a struggle for control between the pragmatic conservatives, represented by the above groups and the ultra conservatives headed by Ahmadinejad and his allies.

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This announcement is widely believed to be a herald of more instability in Iran. Some believe that the price increases and rationing could lead to riots and other problems for the Ahmadinejad regime. I have previously mentioned in memos that all was not well within the Iranian economy, and this news will be badly received by the public at large, in our opinion. If riots occur, we can reasonably expect a higher risk premium for oil and higher oil prices. This will lead to more inflation pressures in the world. More inflation pressures mean higher interest rates, higher commodity prices and higher gold prices. Guild Investment Management, Inc., is a registered investment advisor. All material presented herein is believed to be reliable. Investment recommendations and opinions expressed in these reports may change without prior notice. For more information about global investment visit http://www.howtoinvestglobally.com For more information about Guild Investment Management financial services visit http://www. guildinvestment.com These articles are for informational purposes only and are not intended to be a solicitation, offering or recommendation of any security. Guild Investment Management does not represent that the securities, products, or services discussed in this web site are suitable or appropriate for all investors. Any market analysis constitutes an opinion that may not be correct. Readers must make their own independent investment decisions. The information in this article is not intended for distribution to, or use by, any person or entity in any jurisdiction or country where such distribution or use would be contrary to law or regulation, or which would subject Guild Investment Management to any registration requirement within such jurisdiction or country. Any opinions expressed herein, are subject to change without notice. In addition, there are many market, currency, economic, political, business, technological and other risks that are beyond our control. We make reasonable efforts to provide accurate content in these articles; however, some content and some of the assumptions, formulas, algorithms and other data that impact the content may be inaccurate, outdated, or otherwise inappropriate. In addition, we may have conflicts of interest with respect to any investments mentioned. Our principals and our clients may hold positions in investments mentioned on the site or we may take positions contrary to investments mentioned. Guild抯 current and past market commentaries are protected by copyright. Apart from any use permitted under the Copyright Act, you must not copy, frame, modify, transmit or distribute the market commentaries, without seeking the prior consent of Guild.

Are you addicted to playing casino games

Are you addicted to playing casino games? Then there is good news for you. Now you can play your favorite casino games from your own home. No need to visit casinos when you can have double the fun from playing multimedia version of online blackjack, online roulette, online game slots, online bingo and the list just goes on and on. In fact most of the online casino websites have incorporated all the popular casino games. No wonder millions worldwide spend hours at these websites trying desperately to win big rewards.

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Playing online game slots can be as much fun as playing them at a local casino. The eye-catching graphics, funny sounds all add to the experience of playing slot games. But it is the simple nature of this game that attracts most online gamblers. Online slots are more or less dependent on the luck of a player. However some kind of strategizing is always helpful in improving one's odds at the casino table. Therefore try and gather as much knowledge about the game as possible. You will not be able to use the strategies properly unless you are aware of the rules and regulations of online game slots. There a

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re a number of reliable sources for gaining information about online game slots. Most online casino websites themselves offer free guides to online slot games. Go through these guidebooks and you will know tricks about how to manipulate slot machines to ensure you hit the jackpot more often. But you may have to sign up first before you can pick up any of this information. Another reliable source is gambling blogs and public forums. Gambling enthusiasts share and offer valuable insights about slot games on such online platforms. Online casino websites have introduced a host of sign up rewards for new users. You can win yourself free credits, cash bonuses when you sing up for these websites. These bonus amounts can be out to good use when you try your luck with slot machines. However there are too many online game slots websites out there. So take your time in choosing the right one if you want to get the best possible deals. How do these slot machines work? Online game slots are equipped with a random number generator. These number generators pick up numbers in random when you click on the spin button on your computer screen. Usually the numbers generated in the process match the position of graphics appearing on the multimedia wheel. Most websites offering casino games may ask you to download and install some additional software programs like Java. These installations are necessary if you want to play online game slots from your computer. Don't lose heart if you fail to hit the jackpot even after trying many times at a stretch. Keep trying and you will succeed after a point of time. But you must know where to stop as you don't want to lose your entire bankroll on online game slots only.

Matthew Brannon抯 Switching Positions is executed as a wall mural

Matthew Brannon抯 Switching Positions is executed as a wall mural. Showing an entanglement of knives, Brannon conceives not a logo of violence, but apathy. Rendered in black and dripping 慴lood? Brannon抯 blades are diminished to the international language of pictograph signposting, exuding an outline of 慽dea?rather than a portent of immediate threat. Through this reduction, Brannon presents content as void: his weapons are represented by a blank vacancy, precariously balanced in harmonious composition. Emblazoned in grand scale, Switching Positions presents an unnerving propaganda of disconsolation and hopelessness.

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In People Who Divide People, Matthew Brannon adapts his eel motif as a logo of power and class divide. The image itself contains multiple symbolism: as loathsome viper, lowly animal, and revolutionary icon of early America. Rendered in black and white, the delicate pattern is reminiscent of both lace and tire tracks. Humorously recalling the colonial motto 揇on抰 Tread On Me? Brannon抯 snake supplants ideas of freedom liberation as an elitist decal of 慻ood taste?

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BIOGRAPHY 1971 Born in St. Maries, Idaho Lives and works in New York Taking emotional vulnerability and solecism as a starting point for investigation, Matthew Brannon often situates his work around themes of self-destructive behaviours that outwardly reflect inner dysfunction, what he describes as 損ersonal pathologies? Other People抯 Money extols the complications of careerism; the image of a limpid dripping/bleeding eel is both trophy and pitiful personification. Brannon describes the grey area of morality in the stark contrast of black and white, cut through by a tread patterned diagonal stripe suggesting a 慼it and run?hierarchy of ethics.Matthew Brannon抯 HYENA is presented as a vinyl LP atop a plinth. Illustrating the effectiveness of packaging over content, the object exudes a precious quality as product and collectable. The recording itself, however is much more sinister. Featuring a caged hyena at a Berlin zoo, the soundtrack captures a disturbing symphony of clattering metal, audience rumblings, and breaking bones, beneath an aria of the animal抯 frantic bark-laughter. In this discrepancy between outward appearance and contained turmoil, Brannon creates a haunting analogy for tenuity of human experience. Matthew Brannon抯 prints convey a poetic distillation. Conjuring a complete image from the most meagre information, the 憁essaging?of Brannon抯 images is transferred through their subtlety of form. Situated between luxurious refinement and divested replication, Brannon adopts the associations of design to comment on psychology as by-product of consumer environment. In Sick Whore, Brannon underscores a spindly plant with an abject description or insult. Embossed with the finality of an epitaph, Brannon sums up a totality of a frail, abused, and embarrassing existence.

Mathew Cerletty was born on 1980 in Milwaukee, Wisconsin New York

Mathew Cerletty was born on 1980 in Milwaukee, Wisconsin New York. Matthew Cerletty抯 paintings encapsulate a cosmopolitan air with their voguish finish and ambivalent sexuality. Presenting a fragmented body, Cerletty抯 untitled trade抯 image for the fetish of gesture, his absent figure reduced to an intimation of style. Rendered as graphic form against an empty slate colored ground, Cerletty抯 hands seem strangely foreign and empirical. Classically positioned, Cerletty sets his study as abstracted intrigue, his opaque white sleeve and purple nail polish convert the representational to formalist balance, constructing the sublime through the simplicity of casual expression. Matthew Cerletty抯 Untitled reconsiders the figure as an abstracted strategy of design. Set on a cold ground, his torso is centered as an obsessional focus of concentration. Rendered with painterly impasto, his shirt becomes a slacker study of illusionary space: its simplified cartoon form balancing between graphic flatness and 3D perspective, the stylised shadow alluding to sculptural form reinforces the planar surface. The addition of the hands converts Cerletty抯 painting from compositional study to relational subject, infusing traditional line, shape, and tone with dandyish and charismatic personality. Mathew Cerletty抯 work ranges from acutely rendered realist paintings and drawings to text based work distilling images of lifestyle ideals. Throughout his practice Cerletty defines the rules of attraction, using the formal qualities of painting to explore the principles of beauty and fixation. In N, traditional imagery is exchanged for a simple letter: a person抯 initial, empty logo, generic mark, or graphic design. Set on a textured white ground, the letter抯 painterly domination commands with its force of expression and charismatic humour. Rendered in envy-green and adorned with anthropomorphic eyes, N assumes centre of attention as typeface of sheer vanity.

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SELECTED EXHIBITIONS 2006 ?I Love My Scene, Mary Boone Gallery, New York ?Goodbye To All That, Rivington Arms, New York

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2005 ?Galerie Ghislaine Hussenot, Paris ?Neocon, Gavin Brown's Enterprise at Passerby, New York ?Art Review 25: Emerging US Artists, Phillips, de Pury & Company, New York 2004 ?Downtown for Democracy, Gavin Brown's Enterprise at Passerby, New York ?Now Is A Good Time, Andrea Rosen Gallery, New York ?Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles 2003 ?Be In, Rivington Arms, New York ?Today's Man, John Connelly Presents, New York ?Hiromi Yoshii Gallery, Tokyo 2002 ?I Kept All Your Letters, Rivington Arms, New York Conclusions: Matthew Cerletty抯 paintings encapsulate a cosmopolitan air with their voguish finish and ambivalent sexuality. Presenting a fragmented body, Cerletty抯 untitled trades image for the fetish of gesture, his absent figure reduced to an intimation of style. Rendered as graphic form against an empty slate colored ground, Cerletty抯 hands seem strangely foreign and empirical. What to Do Next... If you want any information about Matthew Cerletty or looking for his paintings please visit us on http://www.saatchi-gallery.co.uk/artists/mathew_cerletty.htm

Working accross a wide range of media, Lothar Hempel stages elaborate theatrical possibilities

Working accross a wide range of media, Lothar Hempel stages elaborate theatrical possibilities. His constructed situations confront viewers with open-ended ethical and ideological dilemmas that challenge and reflect their concept of self. Stemming from this interest in value and identification systems, Hempel抯 paintings exist as potential casts for his interactive scenarios. Reminiscent of Bertolt Brecht抯 慹pic theatre? Hempel抯 formalist compositions and puppet-like figures do not provoke emotional engagement, but rather the viewer抯 detached critical reaction to presented narratives.

In this series of paintings, Hempel designs a parade of figures; identical in stance, their similar format makes them interchangeable as props. Hempel抯 dream-like, surreal forms don抰 pretend a reality, but constantly reinforce their staged-ness. Each character is defined by their decorative properties, the aesthetics of painting itself becoming an extension of persona, ideology and storytelling. Through simplified and stylistic rendering, Hempel creates a sense of contrived charade: his figures are suggestive of impostors, knowing hypocrites or deceptive pawns of the unseen.

Conceiving fractured identity as a bi-product of modernity, Hempel paints his portraits with a fleeting sense of transience. Painted on paper, they are literally and metaphorically two dimensional figures of fancy. Inspired by ancient Greek theatre, Hempel抯 players?mannered stance and armless torsos restrain overt gestures of action to maximise audience imagination and response. The characters?attributes and emotions are conveyed solely by their costumes and sculptural masks. Their recital unfolds from symbolic and psychological interpretation rather than physical illustration.

The neutrality of Hempel抯 paintings suggests the timelessness of moral epics. Redolent of medieval tapestries or Byzantine frescoes, Hempel gives his paintings a clean-cut contemporary design, collapsing past, present, and future into the context of myth. Posing the classic foils of comedy and tragedy as ritualistic cycles, Hempel alludes to the folly of the human condition.

Lothar Hempel's Propaganda at the ICA

Propaganda, the title of Lothar Hempel's new installation at the Institute for Contemporary Arts, is a big name for a small show. But it's not just the title that makes big claims. Lothar Hempel, a 36-year old German living in Cologne, has a long list of group and solo exhibitions to his credit, a rave review from Frieze magazine, and a contract with the alarmingly fashionable Anton Kern Gallery in NYC. So one goes to this show with every expectation that Hempel is going to be quite good. And the ICA seems pleased enough with its new commission. The ICA's director Philip Dodd has helpfully set out its merits:

In a bewildered London art world and in a newly repoliticised Britain, it's a great pleasure to welcome Lothar Hempel's very resonant work. It addresses the cancellation of utopian imaginings in a world where all is propaganda, or at least often is - and it does so by engaging with the history of art. It's a rare achievement. To which I can only add, not nearly rare enough.

Read Entire Article about Artist Lothar Hempel paintings and artwork at The Saatchi-Gallery http://www.saatchi-gallery.co.uk/artists/lothar_hempel.htm

It has been observed that Maine is the only foreign country in the United States

It has been observed that Maine is the only foreign country in the United States. There is no question that Maine is definitely unique and many things here are different. For some, these differences are frustrating; for many others they are the very things that make this state such a great place to live and raise a family.

To get you in the mood to cover a few of these differences, consider what other state's image can be conjured up so vividly with a few well-chosen words:

Lobster rolls
Yard sales
Windjammers
L.L. Bean
Mud season
Whoopie pie
Ice fishing
Wild blueberries
Rockbound coast
Moose
Sugaring off

Friendship sloop
Leaf peeping
Snowshoeing
Fiddleheads
Black flies
Lighthouses
Down east
Baked clams
Nor'easter
Wild turkeys
Wicked good

THE CLIMATE
One of Maine's oldest clich閟 "if you don't like the weather, wait a minute" gives rise to one of the major differences in life-styles here: Folks in California keep an eye on the TV and an ear to the radio to find out what traffic is going to be like, while folks in Maine do the same thing, but to find out what the weather is going to be like...

Bill Caldwell, one of Maine's favorite journalists, once wrote "The weather out there changes every day. And every day I enjoy it more. If you like weather, you love Maine. In one day Maine can get up to five kinds of weather. In one year, we get 10 seasons."

So although the weather may be changeable, it's never boring. While winters are long, there are many, many days that are cloud-free and brilliant. Also good news is that the climate along the coastal region, which extends inland for about 20 miles, is moderated by the ocean which makes for milder winters and cooler summers. Plus, there is just about every kind of winter sport and recreational activity you could hope to find anywhere.

The numbers vary greatly by region, but using the Portland area as an example: 44 inches of rain and 71 inches of total snowfall per year, 132 freezing days every year, snow on only 15-20 days, and 3-8 days with temperatures over 90 degrees F.

THE PEOPLE
In Maine, the real natives are Native American tribes - the Micmacs, the Penobscots, the Maliseels, the Passamaquoddies - about 1 percent of the population. The other "natives" are people who were born in Maine, who are about 95 percent Caucasian. However, a steady influx of "people from away" (sometimes called flatlanders or rusticators) is slowly but surely changing the ethnic diversity of Maine.

"Are the natives friendly?" This is a question often asked by people from away who are considering moving to Maine to slow down, to change their lifestyle, to try something new. The answer is that, despite their reserved and sometimes crusty nature, they are both friendly and more often than not, very helpful. These "natives", the people who have lived here year-round for one or more generations, are one of the major contributors to Maine's specialness. These Yankees are highly independent, resourceful, frugal, rugged and hardworking individualists who have learned to wrest a living from the land or the sea, no matter the weather, oftentimes working at two or three jobs or trades to make ends meet. And all with a 搘icked?sense of humor.

THE LANGUAGE
Visitors, traveling the back roads of Maine, stopping at a country store, or a farm stand or a yard sale, quickly pick up on the fact that Mainers have their own lingo. They use words not heard in other states and use pronunciations that are unique and sometimes difficult to understand. It is not only remarkable that these localisms have survived, but that they are delivered with unusual brevity and a dry humor that's hard to grasp at first.

From "ayuh" (yes) to "daow" (emphatic no), for those interested in learning more about the language of Maine, we would refer you to "How to Talk Yankee" by Gerald Lewis. See our Publications section.

GETTING AROUND
"You can't get there from here" is another famous Maine clich?- and not without some foundation in fact. While road signs in other states have mileage distances to the next town, in Maine these are typically not given. Bridges do not have the name of the river or creek they pass over. And highway number signs are very sparse, particularly on back roads, making it possible to drive many miles in the wrong direction before discovering your error.

When you stop to ask directions, you will discover that locals seldom use street addresses. Instead a "metes and bounds" colliloquy will be given such as "go straight ahead about two miles until you see a big rock on the left, then after that there will be a dirt road to the right, then go until you see a brown cape..."

Is it any wonder that "awayers", hopelessly lost (or "turned around" as locals call it), see all this as a plot to frustrate and discourage them from moving to Maine?

Our best advice is to do what even the old-timers here do: Keep a copy of DeLorme's "Maine Atlas and Gazetteer" handy in your car.

THE GOVERNMENT
Maine has the traditional form of New England government - home rule - said to be the only existing type of "pure" democracy. This means that state government has relatively little power, and that the town and cities make all their major decisions by citizen vote through the vehicle of annual town meetings, usually held in March. In many of Maine's 450 smaller towns and plantations, this is one of the major social events of the year, usually with refreshments and, more often than not, a potluck dinner or supper.

There are only a couple of dozen larger cities that are ruled by city councils, although more towns are beginning to elect some officials and hiring professionals to manage their day-to-day business.

In any event, when researching real estate, it is best to talk to the folks at the local town office.

REAL ESTATE VALUES
Although it is not always prudent to generalize, real estate tends to be less expensive the farther up the Maine coastline you go and the farther inland you go. With more and more people from away willing to pay a premium for shoreline real estate, values seem to be steadily increasing, So the old adage that "now" is always the best time to buy certainly appears to be true for Maine's waterfront properties.

As a child, I remember going to the gaming center in our neighborhood where for a small price we were allowed to play one set of video game on a gaming station

As a child, I remember going to the gaming center in our neighborhood where for a small price we were allowed to play one set of video game on a gaming station. Those were simple screen games like car racing or bike racing and we enjoyed them like mad. Then one fine day, Mario entered our house and became a much fought over best friend for everybody. Whoever managed to gain the controls for his life in his hands tried his level best to save him while the rest of us watched and cheered excitedly.

Gaming from there has come a really long way. Today is the era of 3D games which are far more real than the poor old cartoonish Mario and even come with exciting, adrenaline rushing sounds too. Through a virtual 3D game you can play different kinds of sports, become a part of an army and attempt to kill your enemies or go on a real adventure trip of any kind.

The guarantee of these games is that they will provide you a near life real experience and you would come out of them with a real encounter of your choice. These games work on 3D or three dimensional graphics and the picture or video that you see on your screen is as good as real. You can be a part of anything you like to do without going anywhere right in the comfort of your home.

There are different types of games available. If you are a sports freak you can really try your hand at almost any kind of sport under the sun. You could try Snow Boarding or you could try Golf. You can play Basket Ball or you could play hockey. Missed the night out with friends to the Bowling Alley you love? Fret not, play a virtual Bowling game at home and share your score with friends- its going be fun too.

Similarly, if you are more of a mystery seeker and enjoy horror shows, you can try from a number of adventure games that will make even the strongest of hearts shiver. There are also a number of army games available where you shoot for the enemies of your country. Or, if you want a truly out of the world experience, you can try one of the many outer space games where you aim for the aliens or save yourself from meteors and androids.

When it comes to the world of 3D Games, it really is 憏ou name it and you have it? The best part about these games is that a number of these are now available for paying freely over the internet. You do not have to pay a dime and still have a variety of games at your disposal right on the screen of your computer. No attachments and no wires, just the click of your mouse and you are up and playing.

You can also download these games from a number of websites and play even without a running internet connection. There are 3D games suitable for your mobile phone too and if you are too much of a game buff then you might just want to download a few on your handset for some non stop fun. Guess there is a lot more to gaming now than the humble Mario of my time!!